Line and its expressive possibilities. Presentation for a fine arts lesson "Line and its expressive capabilities" Line and its expressive capabilities drawings

Section 1. Types visual arts and basics of figurative language

Subject. Line and its expressive possibilities. Rhythm of lines.

Target: - expand knowledge O graphics How visual art;introduce with means expressiveness graphics.- continue development skills at work graphic materialsimprove technique execution; To follow the rules security;- develop neatness, accuracy;- bring up sensitivity To perception beautiful.

Lesson Objectives :

Personal : - to intensify cognitive activity and develop the creative potential of students;

Create conditions for the development of children’s intellectual and spiritual capabilities;

Continue to develop the ability for artistic and imaginative knowledge of the world, the ability to apply

knowledge gained in one’s own artistic and creative activities;

Metasubject : -develop skills of independent artistic and creative activity;

Improve students’ abilities to analyze, compare, summarize information, plan, monitor and evaluate the results of their educational, artistic and creative activities

Form communication competencies.

Subject: - form the concept of line as the main means of expressiveness in graphics;

Develop the ability to distinguish between the main types and genres of plastic arts, characterize their specificity, and the ability to make judgments about artistic features works depicting nature and humans in different emotional states, the ability to use various materials and means of artistic expression to convey the idea in one’s own artistic activity.

During the classes

1.Org. moment. Emotionalsettingoncooperation.

2. Updating of basic knowledge.

Today we will plunge into a wonderful, limitless world art. Let's touch to this type of art graphics, let's get acquainted with her means expressiveness. And as an epigraph to the lesson, I propose to take the words of A. Dovzhenko: “Man by nature is an artist. Everywhere, one way or another, he strives to bring beauty into his life.” That’s why we, with our skills, knowledge, talents, We will bring beauty into our lives with our wonderful and unique works.

3. Motivation for learning activities.

Many from you consider, What pencil – uninteresting artistic material. He It has small number of shades, A So I want to draw ripe strawberries under the bright sunshine, And, to on leaves definitely sparkled droplets dew. A How same All This Can convey simple pencil?Leading exercise. Reconsider slides And give answer on question. Justify their opinions. Exercise 1. Let's we'll reconsider work artists - schedules And let's find out can they be work interesting works, which completed With with help only a simple pencil?

Which Can do conclusion? Interested whether you work artists?

Task2. Now We we'll reconsider next part of the paintings And we'll give answer on such question: Is it possible by using only simple pencil convey the mood?

Which Can do conclusion?

Task 3. Is it possible to convey volume with a simple pencil?

Task 4. Consider the following pictures. Is it always necessary to paint over the main object in a painting? Perhaps it’s enough to paint over the background and leave the main thing?

Conclusion. Complete the sentence:

Graphic work can be interesting because...

They can convey mood using….

Using just one color you can convey...

In order to draw the main object you can.....

4. Learning new material

Graphics is a type of fine art where the reflection of reality is achieved through drawing. The main means of expressing an idea are line, stroke, spot)

The lines are different. A line is a sign, it is conventional, invented by us as a way of designation. But by looking at it we can determine the artist’s mood, his attitude towards the depicted object, the strength of emotions. Look at the lines and try to feel the mood.

A person who draws lines, like a writer, has his own handwriting - his own way of drawing a line, outlining the contours of an object. Look at Pablo Picasso's drawings and determine the character, mood, and attitude of the artist towards the depicted objects.

Pablo Picasso

van Gogh

Having examined Van Gogh's graphic works, you probably noticed the rhythm that the lines set. They are not randomly located in the picture, but move, perhaps to the beat of the heart. Or perhaps the waves themselves move rhythmically across the surface of the sea?Viniamin Rozhdestvensky (while reading the poem there is a slide show with photographs of trees)

On the earthly path, changing nomads,

Dwellings, meetings, faces and regions,

I am having a conversation with you, trees.

Friends who haven't changed anything.

And how could I not relate to you,

Greetings to my Motherland,

When living images and faces

I recognize your outline!

Here is an old oak tree - foliage made of ringing copper.

A mighty figure in the convolutions of the bark.

He's all buzzing, roaring about victory,

As once upon a time there were psaltery strings.

Here are the pines, straight-trunked and resilient,

Prickly - the winds cannot tear them apart,

They stand in their scaled mail,

Calm, like Igor’s army.

And the trees are motionless and stern,

Dropping the sleeves of branches low,

Mothers and widows are waiting sadly,

Silent women in headscarves up to their eyebrows.

And nearby is a timid aspen,

And a completely simple-minded alder

Looks over the bushes, as if from behind a tine,

On a path that is shady and deaf.

But the birch girl is dearest to me,

Coming from fairy tales and epics,

Snow Maiden, darling of the frost,

Alyonushka hills and plains.

She loves our dawns, hayfields,

Daisies in the dew, ringing swifts,

Green she rocks her braids

Above the waves of rye running with the wind.

6. Physical exercise.

7. Practical work.

8. Exhibition of works.

9. Summing up.

Send

Cool

Stammer

Objectives: to introduce students to the concept of “line”, its expressive capabilities; talk about the type and nature of lines, the role of rhythm in creating an image; introduce students to linear graphic drawings by artists.
Materials: images of various lines, illustrations of linear drawings (Rembrandt “The Old Beggar”, “Woman in a Chair Reading a Book”, “Two Peasant Houses”, A. Matisse “Portrait of a Woman”); pencils, paper.

I. Organizational moment

(Greeting, checking students’ readiness for the lesson.)

II. Teacher's conversation

1. Line, its types, character

Each drawing, made with a pen or pencil, consists of a different type of lines - straight, wavy, long, short, jerky, thin, thick, sharp, angular. A line can be either the main form-building tool in a drawing or an auxiliary one - to indicate the boundary of a form, any details, etc.

Line is one of the most important visual means. They differ in nature. Some of them are weighty and confident, some are fluent and hasty. The line can be bold, dashing or strict and thorough. One outlines a contour like a fishing line, the other is a line-stroke, a free trace of impressions.

Like any visual medium, the line has its own properties, which vary depending on the tool used. You can draw lines using a well-sharpened hard pencil - in this case the line turns out thin and barely visible. A soft pencil will leave behind a softer, looser, wavy line. Often pens are used to draw lines - ink pens with a feather, as well as ballpoint pens. The best materials for depicting lines are sanguine, pastel, and charcoal.

Lines are practically never found in nature. We consider a line to be the contour of an object, its edge. The line is only a sign, a convention. It is used as a way of designation. When writing letters, we try to draw lines as expressively as possible. An artist who draws with lines has his own style, a certain character. Through the line he expresses his feelings and emotions.

The lines have their own rhythm. The rhythm of a line is the alternation of elements commensurate with each other. Rhythmic relationships are usually varied. They can be simple, complex, variable.
A fence is also a set of lines; it has a certain rhythm - measured. This rhythm reflects calm and monotony.

If the task of tone is to reveal space, then the main task of line is to express movement. The gaze seems to follow the direction of the line, repeating its bends and noting its tension. The impression of the person following the line will depend entirely on the way in which the line controls the movement of the eye.

2. Linear graphic drawings of great artists

Rembrandt Harmens van Rijn. The great Dutch artist Rembrandt was a prominent representative of the golden age of Dutch painting. It was he who laid the foundation of modern living artistic drawing. His works are characterized by a special musicality of lines, with the help of which he reproduced a wide variety of images. Rembrandt created his works not with black, but with brown ink on pinkish-gray paper. Rembrandt's line seems to flow, live, breathe. In his drawings there is always unity and harmony of form and content. The best example his linear works is the drawing “Old Beggar”

This drawing masterfully depicts the head and figure of a beggar. The work is unusually deep and at the same time laconic. Pay attention to the distinctness of the forms, which is achieved using the linear technique.

Other drawings by the artist were made with a reed pen, with the help of which the master managed to achieve a strict outline. Looking at the drawing “Woman in a chair reading a book”, Special attention Please note the different line thicknesses. Its parts are made with different pressure. Rembrandt's landscapes are of particular interest. His landscape primarily consists of various “moving” lines, a combination of rhythmic and plastic possibilities.

Rembrandt "Woman in an Armchair Reading a Book"

Rembrandt "Two Peasant Houses"

Look at the drawing “Two Peasant Houses”, done with a thick pen and black ink. The pressure with which the foreground of the picture is drawn seems to emphasize the depth of the second and third plans. Rembrandt was a great artist of his age. His skill cannot leave true connoisseurs of art indifferent.

Henri Matisse. For most artists, linear depiction was only an addition to the main type of creativity. However, for Matisse, line drawing was a form of easel drawing. Thus, the artist, creating his drawings from life and working out each element in detail, achieved extraordinary realism, and then began to make a different drawing from it - more generalized and conventional.

Matisse achieved particular accuracy of the image using lines of the same thickness and the same tension. It should be noted that the drawings of this artist are characterized by extraordinary lightness and liveliness of movement. The contour of the figure is clearly marked, the movement of the lines flows strictly along the outline of the form.

A. Matisse “Portrait of a Woman”

Matisse's works are to a certain extent restrained, but at the same time they have incredible freedom. This artist is the brightest representative of linear drawing.

III. Creative task

Today you will be in the role of a master of linear drawing. To get started, do training task. Using various lines on a white sheet of paper, depict two moods - cheerful and sad. The entire composition should consist only of lines. Remember, the main purpose of a line is to express movement. When making your drawing, remember the nature of the lines.

Types of lines

Expressing a certain mood using lines

Now that you have worked with lines, you are invited to act as a line drawing master. For our work we will need paper and a simple pencil. The paper must be white, since the faint silver line of the pencil is difficult to see on colored paper. Create your line drawing using a simple pencil. The basis of linear drawings, of course, is the line, with which you can outline the outline. The drawing must be complete. The depicted object can be anything.

IV. Summing up the lesson

(Students demonstrate their work.)
- Let's remember what role the line plays in the drawing.
– What types of lines can you name?
– What is the rhythm of lines?
– Name it famous masters linear drawing.

Along with this also read:

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“We can imagine any line - both curved and straight - as stopped and as moving...”.
(Vladimir Favorsky)

Lesson type: Lesson on introducing new material (lesson presentation).

Goals:

• introduce students to the expressive properties of line, their types and character;
• show the convention and figurativeness of a linear image, the role of rhythm in the creation artistic image;
• develop skills in conveying mood in a drawing using lines of various types.

Tasks:

Personal:

• create conditions for the development of children’s intellectual and spiritual capabilities;
• to intensify cognitive activity and develop the creative potential of students;
• continue to develop the ability for artistic and imaginative knowledge of the world, the ability to apply the acquired knowledge in their own artistic and creative activities.

Subject:

• develop the ability to distinguish the main types and genres of plastic arts, characterize their specificity;
• develop the ability to use various materials and means of artistic expression to convey the idea in one’s own artistic activity;
• form the concept of line as the main means of expressiveness in graphics.

Metasubject:

• develop skills of independent artistic and creative activity;
• improve the ability to analyze, compare, plan, control and evaluate the results of their artistic, creative and educational activities.

Equipment: computer, projector, screen, computer slides “The Line and Its Expressive Possibilities”, equipping student workstations.

DURING THE CLASSES

I. Organizational moment.

Checking students' readiness for the lesson.

To more accurately formulate the topic of our lesson, let’s pay attention to the epigraph (Slide 2): “The path to the final goal does not go through a pile-up of details, but through their selection. In a drawing, for example, the artist must choose from all possible lines the most expressive, the most saturated with life.” (Henri Matisse)

Who guessed what we will talk about in our lesson?

Right. We will talk about line and its expressive capabilities.

II. Lesson topic message. Conversation.

Many of you think that pencil is an uninteresting artistic material. It has a small number of shades, but I really want to draw ripe strawberries under the bright sun, and so that drops of dew are sure to sparkle on the leaves. How can all this be conveyed with a simple pencil?

Let's review the works of graphic artists and find out whether the work can be interesting if it is done with just a simple pencil? (Slide 3)

Any drawing begins with a line. It is the line that is the beginning of all beginnings in the drawing.

What kind of lines can be drawn?

Right. Lines can be long, short, straight, curved, wavy, jerky, thin, thick, and so on.

Lines are practically never found in nature. We are used to calling the contour of an object, its edge, a line. The line for us represents only a sign and a convention. It is used as a way of designation. When writing letters, we try to draw lines more expressively.

Many artists treated the line as living, with its own character. Artist V.A. Favorsky said about a line: “We can imagine any line – both curved and straight – as stopped and as moving...”. The character of the line expresses the emotions and feelings of the artist! Let's look at several graphic paintings and try to identify the emotions and feelings that the artist is trying to convey to us (Slide 4).

Like any visual medium, line has its own properties. Which vary depending on the tool used. You can draw lines using a well-sharpened hard pencil - in this case the line turns out thin and barely visible. A soft pencil will leave behind a softer, looser, wavy line. Often, pens are used to draw lines - ink pens, ballpoint pens. The best materials for depicting lines are sanguine, pastel, and charcoal. Let's see clearly what a graphic drawing made with various tools looks like (Slide 5).

Line is actively used in sketches, sketches, drawings, caricatures, cartoons, posters, paintings, architecture and design projects.

The great Dutch artist Rembrandt laid the foundation for modern living artistic drawing. His works are characterized by a special musicality of lines, with the help of which he reproduced a wide variety of images.

Rembrandt did not create his works with black ink. He created them with brown ink on pinkish-gray paper. Rembrandt's line seems to flow, live, breathe. In his drawings there is always unity and harmony of form and content. One of the masterpieces of his linear works is the drawing “The Old Beggar” (Slide 6).

This drawing masterfully depicts the head and figure of a beggar. This work is unusually deep and at the same time laconic. The shapes in the drawing are distinct, which is achieved using a linear technique.

In another of his drawings, “Woman in a Chair,” Rembrandt Harmens van Rijn achieved a strict outline with a reed pen. In this case, you should pay attention to the different thickness of the lines. The details of the drawing are made with different pressure (Slide 6).

Rembrandt was a great artist of his age. His skill cannot leave true connoisseurs of art indifferent.

Another artist for whom linear image became the basis creative works there was Henri Matisse who made line drawing a form of easel drawing. He worked out each element in detail, achieved extraordinary realism in his drawings, and then made more generalized and conventional drawings from them. Matisse achieved particular precision using lines of equal thickness and tension. The works of Henri Matisse are characterized by lightness and liveliness of movement, as well as a clear contour and movement of all lines strictly according to the outline of the form. This artist is the brightest representative of linear drawing. Let's look at some famous works by Henri Matisse (Slide 7).

III. Practical work.

Today you will be in the role of a master of linear drawing. To get started, complete the training task. Using various lines on a white sheet of paper, depict two moods - cheerful and sad. The composition should consist exclusively of lines. When drawing, remember the nature of the lines.

Now that you have worked with lines, I invite you to act as a line drawing master. Create your line drawing using a simple pencil. The basis of the drawing should be a line. The drawing must be complete. The object depicted can be anything.

IV. Reinforcing the material covered.

So, today we got acquainted with the main formative means in drawing - the line. Let's remember what types of lines there are and what role they play in the drawing.

And I would like to end our lesson with the words of the wonderful poet Vsevolod Rozhdestvensky, which he wrote for Picasso’s work “Dove of Peace”:

“Singing slow oval
Captivatingly circled,
Arises into an unprecedented vision
She is whiter than a lily.
Doves fluttering tenderly
Her face is fringed
And all of her is the radiance of love,
Dawn entered the window...”

V. Summing up.

Viewing and exhibition of finished sketches, discussion and evaluation.

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Slide captions:

Lesson topic: Line and its expressive capabilities

Goal: to get acquainted with the expressive properties of line, types and character of line.

Line is the main means of artistic expression in graphics

TASKS: To complete the tasks you will need 3 sheets of paper.

We can learn about a person's character by handwriting

Exercise 1 In your usual handwriting Like a very neat person Like a person who is in a hurry As if you are saving space, sparingly, neatly. Firmly, decisively Compare the spelling options. What is the difference? Write the word “Hello” or your name:

Exercise 2 Draw several lines on one sheet. “Musical” “Light”, “Airy” “Hard” “Broken” “Prickly” “Ornate” “Spiral” “Radiant” “Wavy” What mood is created when you see lines of different character? What contributes to this?

Exercise 3 Divide the sheet into two parts and depict without using specific objects: Anger Joy

Expressive possibilities of line Character Expressiveness Rhythm Drawing I.I. Shishkin "Fallen tree"

Rhythm One of the main compositional means in graphics is the rhythm of lines and spots. Rhythm is the alternation of elements of a composition. usually the rhythm is built on uneven changes in the properties of the elements of the composition; the rhythm of the lines gives the composition dynamics

Sketch the landscape, conveying the state of nature through the image of trees and grass: strong gusts of wind; light rustling of leaves; calmness. Use different expressive possibilities of line. Exercise 4

Create a fantasy tree that shows your character by applying line knowledge and using the grain of the wood. You can include pre-measures that you like. Use different expressive possibilities of line. Exercise 5

On the topic: methodological developments, presentations and notes

Development of an art lesson for 6th grade “Line and its expressive capabilities”

Development of an art lesson for 6th grade according to the B.M. program. Nemensky "Line and its expressive possibilities"....

6th grade 3rd lesson "Line and its expressive possibilities"

Development of a lesson according to the B.M. program Nemensky "Fine Arts" 6th grade, lesson No. 3 on the topic "Line and its expressive capabilities" ...

A. M. Kondratiev,
head of design laboratory
TsTTMinistry of Education of Russia,
Honored Worker of Culture of the Russian Federation,
Moscow

LINE AND ITS EXPRESSIVE POSSIBILITIES
IN ARTISTIC DESIGN WORK

Line is one of the artistic and expressive means of image, the main graphic element linear graphics.
The line is actively used in sketches, drawings, easel graphics (etching), caricature, cartoons, posters, painting, architecture and design projects.
A line as such does not exist in nature; it is always conditional and is only the boundary of certain planes of form.
Using line, the artist defines the form and denotes its contours, reveals volume and space, changing tonality, conveys aerial perspective
Being one of the main technical means of composition, the line has svs and artistic and expressive capabilities. It can be smooth, calm, melodious, vertical and horizontal, continuous and intermittent, straight and wavy, intersecting and parallel, light and heavy, etc. Using a variety of these most important artistic and expressive means, an artist, architect or designer can convey the subtlest psychological nuances of the created composition,
Linearity in graphics is the technique of execution and the structure of the composition of a work made by a line or contour.
IN piece of music- this is the sequential movement of sounds that form a melodic line.
Picturesqueness is the opposite concept of linearity.
Sometimes in works of fine art linearity is seen as profitability ("cantabile style").
Cantability - plasticity, smoothness, musicality, melodiousness of the elements of a work of fine art, their ability to “sing”.
Profitability is most characteristic in the works of great artists: Sandro Botticelli, Paolo Uccello, Andrei Rublev, Dionysius, Amadeo Modigliani and many others.
The line in their drawings and paintings is associated with musical sounds, which are sometimes amplified, sometimes listened to, sometimes sounding powerful, like a bass, sometimes “ringing,” thin and high.
A characteristic feature of the linear graphics language is the clarity and precision of the image, which makes it the most common technique in design work. For drawings, a hard line is used; for drawings and sketches, a light, picturesque, melodious line is used.
A drawing or drawing outlined by a line of the same thickness creates an unpleasant impression. Any artistic and graphic performance requires a variety of linear language and the use of other expressive means.
The “rigidity” of the language of design graphics, which uses a two-dimensional plane to convey images of three-dimensional objects on it, clearly confirms the need to use subtle artistic techniques.
Being the most common method of representation, linear graphics have developed their own artistic and expressive means. The expressiveness of a composition depends on the ability to effectively use linear elements in constructing a form expressing a psychological state (dynamics, sadness, cheerfulness, etc.), which depends on associative visual perception. The vertical construction of lines evokes a feeling of stability, diagonal - dynamics, horizontal - peace. Curved lines convey the impression of closure or fluidity. The psychological expressiveness of the graphic language of linear graphics depends on the location and outline of the lines (straight, curved, thick, thin, solid, intermittent), their tonality and color (black, gray, light, colored).
In design work, the expressiveness of linear graphics depends not only on the lines used, but also on the paper, its texture and color. In design practice, colored paper is used to give design drawings and sketches a decorative feel. The most important means of expression are the contrast and nuance of lines in relation to the plane of the paper when depicting complex orthogonal projections. This is achieved by using heterogeneous lines of varying thickness and tonality. The designer strives to create the impression of spatiality, emphasizing the foreground with contrasting lines and weakening the background with nuanced ones.
Great possibilities of technical techniques of linear graphics are used in the tonal development of the form, identifying its illumination, texture (color line, fill, linear imitation of tone - shading are used).
Mastery of image tools and linear graphics techniques is necessary for a designer in order to skillfully use them to express his ideas. The most important task of the educational process is the targeted use of this topic in the development of compositional thinking. Individual interpretation when performing compositional tasks reveals the unlimited plastic possibilities of the line.
The active choice of expressive means of linear graphics and skillful mastery of its technique clearly reflects the artistic temperament of the author. The plasticity of line in fine art, architecture and design reveals, first of all, the stylistic features of the depicted object.
The ability to masterfully use the plastic capabilities of a line and its ability to transform is necessary when creating the most complex compositional shapes. When choosing one or another plastic characteristics the designer must skillfully select execution techniques and tools, both artistic and drawing. The line has universal plastic capabilities; it can be used not only in a planar image, but also in real space. In this regard, the works of the American artist and designer Alexander Calder are interesting, who, using wire, created original spatial structures. Such constructions help to imagine space and feel its plasticity. A designer who creates complex object structures needs to be fluent in and understand spatial structure.
Basic principles of line graphics
1. Working on the shape of an object, the designer uses conventional means of linear image, trying to find expressive artistic elements in them.
2. The artistry of a drawing, sketch, drawing depends on the skillful and varied use of line, the expressiveness of which lies in its plasticity, i.e. in movement, rotation, lightness, etc.
3, The most important component of the expressiveness of line in design graphics is paper, which creates a flat surface, conditional air environment, illuminated space, etc.
4. The most important expressive means of linear graphics is the different texture of lines, depending on the material, paper, tools and execution techniques. Due to it, a different impression of the depicted object form is created, reflecting activity or restraint in the object composition.
5. The designer must constantly master the artistic means of representation in order to skillfully use them to express his ideas.
6. The use of heterogeneous lines allows you to create artistic and expressive works, and in design helps to reveal the expressiveness of plane and volume.
7. Lines can be solid and broken, straight and wavy, monochrome and colored, thick and thin, intersecting and parallel, smooth and angular, calm and exciting, vertical and horizontal, contrasting and nuanced. The technique of linear graphics allows you to create tonal and color development of a form, revealing its illumination, mass, texture, and space. Lines in work of art can be compared to musical sounds, and they should sound varied and colorful. Only in this case the drawing becomes alive and reverent. A mediocre musician plays in such a way that all his sounds are monochromatic. Likewise, a drawing made with lines of the same thickness will produce an anti-artistic impression. The smoothness of a line, its turns, bends, dynamic direction, tonality, harmony of color combinations, structural relationships and interaction with other lines are perceived by us as music, as melodiousness.
8. Linearity is a consequence of generalization and abstraction, indicating the predominance of rational, analytical thinking in the artist’s work.
9. With the help of lines, you can create the necessary “psychological qualities” of the designed form, express dynamics, weight, mass, which associatively affect visual perception.
Thick, bold lines make the shape heavier, creating the impression of weight and mass.
Vertical lines create a feeling of stability.
Diagonal - dynamics.
Horizontal - peace,
Curved lines convey the impression of closure or fluidity.
A straight line looks more rigid and defined compared to a curve. This line is more used in drawings than in drawings.
10. By skillfully using contrast and line nuance, you can solve various compositional and graphic problems using simple means. When depicting large spaces, it is necessary to abandon contrasting lines, since they violate the scale relationship.
11. The line defines the boundary of the form and its expressive contour.