The image of Tatyana Larina in the novel "Eugene Onegin. The ideal image of the heroine in the novel "Eugene Onegin"

In his novel "Eugene Onegin" A.S. Pushkin recreated all the ideas about the ideal Russian girl, creating the image of Tatyana, who was his favorite heroine. He conveys the idea that a Russian girl should be sincere, with a rich spiritual world, selfless.

For the first time the reader meets Tatiana at her parents' estate. Since childhood, she was distinguished by calmness and thoughtfulness. By this, the girl was not like other children, and even with her sister they were not at all similar in character, children's pranks did not attract her, she preferred to be alone with herself. It is not for nothing that Pushkin compares Tatiana with a forest fallow deer, who is wary of everything and prefers to hide. She loved books, because from childhood the nanny read fairy tales and legends to her, and since her parents' estate was far from the bustle of the city, Tatyana loved nature very much.

Tatyana is noticeable not for her external beauty, but for the fact that she is very natural, thoughtful and dreamy. It is difficult for her to find a person who understands her inner world.

Having matured, Tatyana is very much looking forward to great love, therefore, having met Onegin, she immediately falls in love with him. He attracts her with his mysteriousness. Love absorbs Tatyana, she cannot find a place for herself, therefore, she decides to tell Evgeny about her feelings. Pushkin sheds tears along with Tatyana, because he knows that this story will end sadly.

Naive Tatyana sincerely hopes that her feelings are mutual, but Onegin rejects her feelings. Tatyana's letter touched him very much, but it did not arouse great feelings in him. He says that even if he falls in love with Tatyana, he will stop loving her, because he will quickly get used to the fact that she is around. And Tatyana continues to love him.

Later, Tatyana marries and becomes known in the world. She has ceased to be a naive girl, she has grown spiritually, but she has not lost the main thing. Although Tatyana's appearance has changed, inside she remains just as natural and simple. When she meets Onegin again, she betrays her feelings in no way. With him, she behaves with restraint and sternness, although she still loves him very much. She cries when she reads his letter, because happiness is so close, but now she has a husband to whom she will be faithful.

Essay about Tatyana Larina with quotes

“I am writing to you, what more ...” - every schoolboy probably knows these lines. But only a young girl will sigh languidly, remembering the heroine of the beloved novel. Tatyana Larina is the embodiment of simplicity and modesty.

How inconspicuously, but with taste, Alexander Sergeevich Pushkin compares two sisters: Tatyana and Olga.

Olga is open, coquettish, graceful and beautiful. It is worth noting that it is with this sister that the author begins his story. And only then, as if, by the way, she says: “her sister was called Tatyana.” Here, the creator, finally, draws attention to the young lady, who was not distinguished by beauty and freshness of her eyes.

It is interesting that Pushkin does not write a word about the appearance of Tatyana herself. The reader does not know how she is built, what color her eyes are. The reader only draws in his imagination a girl completely opposite to the beautiful Olga. But this is no worse, because at the very beginning of the novel, Olga does not give the impression of a well-mannered girl.

“She seemed to be a stranger in her own family” - probably, it is after this phrase that the reader has a great disposition towards a girl who did not know happiness in her own family.

As you can see, another misfortune appears in the way of the girl. Eugene Onegin. The first naive real feelings make the girl, without thinking, write a letter to her chosen one. Oh, how wrong it was for a girl of that time. And yet, the letter captivates the reader with touching speeches, silent prayer, love that is read between the lines.

“I am writing to you ...” - the first line of the letter describes her seemingly humiliating position as accurately as possible. No wonder when reading it is worth putting a logical stress on the first word. It was she who dared to do this. Tatyana probably thought that this would quickly endear Evgeny to her. How did she miscalculate? Rejected by her lover, she was soon forced to marry another.

It is impossible to separate Tatyana and Evgeny in this work, since only after the passage of time he, perhaps, realized the whole irony of the situation that happened so long ago. And how the years change dear Tatyana. She carries herself gracefully and proudly in public. In her eyes she reads the femininity that has come to her over the years. There is still no coquetry, no affectation, no desire to please. However, Eugene no longer needs this. But rushing to Tatyana's feet, the hero hears the well-known phrase: “I love you. (Why be cunning?) But I am given to another; I will be faithful to him forever.

This is how the love story ended, which forever changed the Russian classics.

Option 3

A.S. Pushkin - artist female images in literature XIX century. Portraits of contemporaries are found in almost every work of the writer. The search for a feminine ideal for Pushkin is one of the leading themes in his works.

One of the most beautiful Pushkin heroines - Tatyana Larina from the novel "Eugene Onegin". The true ideal of a girl was embodied in this image by the author. The beauty of the Russian soul, moral principles, the ability to love - all are intertwined with thin threads in the characterization of the girl.

In the most outward description of Tatyana, the Russian nationality is felt. Despite her noble origin, the rural way of life is close to her. No secular balls, the luxury of St. Petersburg will not replace for her the silence of the wilderness, the sunrise, harmony with nature. Larina herself is like a “fearful doe”, she is silent, wild, sad.

Growing up on the estate, she absorbed from childhood national character through fairy tales folk songs, traditions and beliefs. The proof is the belief of the heroine in dreams. Filipievna for Tatyana, as the nanny Arina Radionovna for the poet, an inexhaustible spring folk wisdom. With her mother's milk, the heroine absorbed a sense of duty and decency; for her, the concept of good and evil is clearly distinguished.

Tatyana is far from stupid, the author endowed her with a bright personality. She is not like city noblewomen, there is no feigned coquetry, stupid affectation in her. Her love for Onegin is sincere and for life. She opens up to him in a purely feminine way through a letter. Only in it can she openly talk about her feelings. The touching nature of the confession once again emphasizes the sensitive nature of the heroine. Pushkin loves his heroine, he “sheds tears” with her, knowing about the participation prepared for her.

Rejected by Eugene, Tatyana finds the strength to live on. The author shows us another Larina. The girl got married, her intellectual development and strict upbringing easily allowed her to become a real secular lady. Having met Yevgeny, Tatyana high and arrogantly denies him love. The feeling is long higher than the love still remaining in the soul. Pushkin shows the growing up of the heroine, but in her heart this is all the same pure and sincere girl. The upper world did not spoil her individuality, she does not strive to seem better than she really is. Human values ​​still remain the highest law for the heroine.

Having now received a letter from Onegin with a declaration of love for her, she does not condemn him. Love has not passed in her heart and happiness is close, but there is a sense of honor and duty. For Larina, it is more important than her own happiness.

More than one generation of young girls grew up on the image of Pushkin's Tatyana. Strong in spirit, faithful in heart - she has always served and serves as an example of the boundless purity of the fair sex of mankind.

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Where the whole novel is simply permeated with the theme of love. This topic is close to everyone, so the work is read with ease and pleasure. Pushkin's work introduces such heroes as Eugene Onegin and Tatyana Larina. It is their love story that is shown to readers and we are happy to follow these complex relationships. But today, let's not talk about the love of heroes, but give brief description this wonderful girl main character, which the author named Tatyana.

Tatyana Larina is a sweet, kind girl from the provinces, who, although she grew up in a rather spacious estate, did not become arrogant and did not have a feeling of complacency. Tatyana is very attached to the nanny, the very woman who told different stories and fairy tales.

To give complete description Tatyana, let's turn to those quotes that are used in the novel. They will reveal to us the image of a girl who was in love with Onegin.

Tatyana Larina characterization of the hero with quotes

So, Tanya is a little wild, more often sad and silent than cheerful. She tries to be away from the society of people, is closed and prefers to remain alone. Tatyana likes to be in nature in the forest, where she likes to talk with trees, as with friends. If we continue to talk about Larina and characterize her image, then it is worth saying that Tatyana is a girl with a truly Russian nature. She has a Russian soul, she loves the Russian winter, although at the same time, like many members of the nobility, Tatyana does not know Russian well, but speaks French well. She believes in divination and legends, she is disturbed by signs.

As a child, the girl does not play, like other children, with dolls and games, but she is well-read, educated and smart. At the same time, she really likes to read romance novels, where the characters comprehend fiery love. That's just such a hero from her novel Tatyana saw in Onegin. The girl falls in love with Eugene and even decides to write a letter. But here we do not see frivolity in the act, on the contrary, we see the simplicity of her soul and the courage of the girl.

As we have said, this is a nice girl. The author does not give her the image of a beauty in which her sister Olga is shown to us. Nevertheless, Tatyana, with her sincerity, kindness of soul, her qualities, is much more interesting than her sister. But Eugene immediately failed to appreciate Tatyana, injuring her with his refusal.

Time passes. Now we see Tatyana not as a timid girl, but as a married woman who no longer believes in fairy tales, knows how to behave in society, she holds herself majestically and inaccessibly. Here

What was she, Tatyana, a Russian soul? How do we see it when reading Pushkin's novel in verse "Eugene Onegin"? The whole description of her actions points to a melancholy temperament.

Thought, her friend
From the most lullaby days
Rural Leisure Current
Decorated her with dreams.

The following epithets also indicate a tendency to melancholy: sad, silent, immersed in despondency, a tender dreamer.

Pushkin does not mention her appearance anywhere - he does not talk about the color of her eyes, nor about the shape of her lips, he does not draw a portrait. All description is reduced to internal, spiritual world Tatyana, her actions. The only thing that catches your eye is that Tatyana was the exact opposite of her energetic and carefree sister. And if Olga was a blond and round-faced young lady, then Tatyana, most likely, was a brown-haired woman with delicate features of an always pale face and brown eyes.

And he remembered Tatyana dear
And pale color and dull look;

Why brown eyes?

And paler than the morning moon
And more tremulous than the persecuted doe,
She has dark eyes
Doesn't lift:

It is unlikely that Pushkin would call blue or green eyes darkening.

Tatyana lived in the world of her dreams, avoided communication with her neighbors, preferring them to empty conversations and games with children walking through the forest or field.

Dika, sad, silent.
Like a doe forest is timid.

Like most noble children, she did not know Russian well. At night I read French novels, and imagined myself as the heroine of what I read. But, despite this, she was a Russian soul, loved winter, believed in fortune-telling and omens.

At the time of the development of the plot, Tatyana was 13 years old. This is mentioned twice in the poem. True, there is an opinion literary critics that Tatyana was 17 years old. But let's leave this point of view on the conscience of the critics themselves, because if Tatyana was 17, the girl's relatives would diligently look for her groom, and Pushkin would hardly have remembered the dolls.

The reader will meet Tatyana Larina again a few years later in St. Petersburg. She has matured, become more feminine. In society, Tatyana behaved with self-esteem, and with her manners, her article, she inspired respect for those present for her own person. There is no coquetry, vulgarity, ladies' antics in it. In the final part of "Eugene Onegin" we read the following description of Tatyana:

She was slow
Not cold, not talkative
Without an arrogant look for everyone,
No claim to success
Without these little antics
No imitations...
Everything is quiet, just was in it.

The provincial girl rather quickly learned the lessons of high society, in which she found herself thanks to her marriage. But she became such thanks to the acquired bitter experience. Her stay at the estate and reading his books made it possible to get to know this man better. She managed to lock up her heart, and did not show people true feelings. No, she did not prevaricate, she did not need this. She simply did not bare her soul, her heart to anyone. Hiding doesn't mean lying. Even if she did not feel love and passion for her husband, she respected him, and he could be proud of his wife -

The image of Tatyana Larina in Pushkin's novel "Eugene Onegin"

Belinsky called Pushkin's novel "Eugene Onegin" "the most sincere work" of Alexander Sergeevich. And the author himself considered this novel to be his best creation. Pushkin worked on it with great enthusiasm, giving his whole soul to creativity, all of yourself. And, of course, the images of the main characters of the novel are very close to the author. In each of them, he reflected some features inherent in himself. They became almost family to Pushkin. The image of Tatyana is closest to the author, who, in essence, is the ideal of a Russian woman for Pushkin. This is how he imagined a true Russian woman: sincere, fiery, trusting and, at the same time, possessing spiritual nobility, a sense of duty and a strong character.
In the portrait of Tatyana, Pushkin does not give an external appearance, but rather her inner portrait: "... Wild, sad, silent ...". This is an atypical image that attracts not with its beauty, but with its inner world. Pushkin emphasizes the difference between Tatyana and Olga:

Nor the beauty of his sister,
Nor the freshness of her ruddy

If she had not attracted the eyes - he says about Tanya and then repeats more than once that Tatyana is ugly. But the image of this meek, thoughtful girl attracts the reader and the author himself with its charm and unusualness.
In the second chapter of the novel, we meet a girl whose favorite circle of life is nature, books, the village world with stories. fairy tales of the nanny, with her warmth and cordiality.

Thought, her friend
From the most lullaby days
Rural Leisure Current
Decorated her with dreams.

Reading the novel, one can notice that in those stanzas where Tatyana is spoken of, there is always a description of nature. It is not for nothing that Pushkin conveys Tanya's state of mind many times through images of nature; by this he emphasizes the deep connection that exists between a village girl and nature. For example, after Onegin’s stern sermon, “youngness fades to sweet Tanya: this is how the shadow of a barely born day dresses the storm.” Tanya's farewell to her native places, native fields, meadows is accompanied by a tragic description of autumn:

Nature is quivering, pale,
How the victim is magnificently removed ...

The whole inner world of Tanya is in tune with nature, with all its changes. Such closeness is one of the signs of a deep connection with the people, which Pushkin greatly appreciated and respected. The song of the Girls, consoling Tanya, affection for "Filipyevna gray-haired", fortune-telling - all this again tells us about Tanya's living connection with the elements of the people.

Tatyana (Russian soul,
I don't know why.)
With her cold beauty
I loved Russian winter.

Loneliness, alienation from others, gullibility and naivety allow the "tender dreamer" to confuse Onegin with the hero of the novel, to appropriate "someone else's delight", "someone else's sadness".
But, seeing soon that the hero of her dreams is not at all what she imagined him to be, she tries to understand Onegin. The girl writes an ardent, passionate letter to Onegin and receives a harsh sermon in response. But this coldness of Eugene does not kill Tanya's love, the "strict conversation" in the garden only revealed to Tanya Onegin's cruelty, his ability to ruthlessly respond to sincere feelings. Probably, the birth of “that indifferent princess” with whom Onegin was struck and wounded in the eighth chapter already begins here.
But, meanwhile, even the death of Lensky did not destroy the deep feeling that Tatiana had for Onegin:

And in the cruel loneliness
Her passion burns stronger
And about distant Onegin
Her heart speaks louder.

Onegin left, and, it seems, forever. But Tatyana, before visiting his house, continues to refuse everyone who asks for her. Only after visiting the “young cell”, seeing how and how Eugene lived, she agrees to go to the “bride market” in Moscow, because she begins to suspect something terrible for herself and for her love:

What is he? Is it an imitation?
An insignificant ghost, or else -
Muscovite in Harold's raincoat?
Alien whims interpretation,
Words fashionable lexicon?
Isn't he a parody?

Although the inner world of Eugene is not limited to the books that he read > Tanya does not understand this and, drawing erroneous conclusions, is disappointed in love and in her hero. Now she faces a boring road to Moscow and the noisy bustle of the capital.
In the "county young lady" Tatyana, "everything is outside, everything is free." In the eighth chapter, we meet the indifferent princess, the legislator of the hall. The former Tanya, in whom "everything was quiet, everything is simple," has now become a model of "impeccable taste", a "true ingot" of nobility and sophistication.
But it cannot be said that now she is really an “indifferent princess”, incapable of experiencing sincere feelings, and that there is no trace of the former naive and timid Tanya. There are feelings, but now they are well and firmly hidden. And that “careless charm” of Tatyana is a mask that she wears with art and naturalness. Light has made its own adjustments, but only external ones, Tatyana's soul has remained the same. That trusting “girl” still lives in her, loving the “Russian winter”, hills, forests, the village, ready to give “all this brilliance, and noise, and children for a shelf of books, for a wild garden ...”. Now the impetuousness and recklessness of feelings has been replaced in her by self-control, which helps Tanya to endure the moment when the embarrassed, "awkward" Eugene is left alone with her.
But still, the main advantage of Tatyana is the spiritual nobility of her truly Russian character. Tatyana has a high sense of duty and dignity, namelyso she found the strength to suppress her feelings and say to Onegin:

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Women, whose behavior and appearance differ from the generally accepted canons of the ideal, have always attracted the attention of both literary figures and readers. The description of this type of people allows you to lift the veil of the unknown life quest and aspirations. The image of Tatyana Larina is perfect for this role.

Family and childhood memories

Tatyana Larina, by her origin, belongs to the nobility, but all her life she was deprived of an extensive secular society- She has always lived in the countryside and never aspired to an active city life.

Tatyana's father Dmitry Larin was a foreman. At the time of the actions described in the novel, he is no longer alive. It is known that he died young. "He was a simple and kind gentleman."

The girl's mother's name is Polina (Praskovya). She was given away as a girl under duress. For some time she was discouraged and tormented, feeling a sense of affection for another person, but over time she found happiness in family life with Dmitry Larin.

Tatyana still has a sister, Olga. She is not at all like her sister in character: gaiety and coquetry are a natural state for Olga.

important person for the formation of Tatyana as a person, her nanny Filipyevna played. This woman is a peasant by birth and, perhaps, this is her main charm - she knows many folk jokes and stories that so lure the inquisitive Tatiana. The girl has a very reverent attitude towards the nanny, she sincerely loves her.

Naming and prototypes

Pushkin emphasizes the unusualness of his image already at the very beginning of the story, giving the girl the name Tatyana. The fact is that for the high society of that time, the name Tatyana was not characteristic. This name at that time had a pronounced common character. Pushkin's drafts contain information that the heroine's original name was Natalya, but later Pushkin changed his intention.

Alexander Sergeevich mentioned that this image is not without a prototype, but did not indicate who exactly served him such a role.

Naturally, after such statements, both his contemporaries and researchers of later years actively analyzed Pushkin's entourage and tried to find Tatyana's prototype.

Opinions on this issue are divided. It is possible that several prototypes were used for this image.

One of the most suitable candidates is Anna Petrovna Kern - her similarity in character with Tatyana Larina leaves no doubt.

The image of Maria Volkonskaya is ideal for describing the resilience of Tatyana's character in the second part of the novel.

The next person who bears a resemblance to Tatyana Larina is Pushkin's sister Olga. In her temperament and character, she ideally matches the description of Tatyana in the first part of the novel.

Tatyana also has a certain similarity with Natalya Fonvizina. The woman herself found a great resemblance to this literary character and expressed the opinion that Tatiana's prototype was her.

An unusual assumption about the prototype was made by Pushkin's lyceum friend Wilhelm Kuchelbecker. He found that the image of Tatyana is very similar to Pushkin himself. This similarity is especially evident in chapter 8 of the novel. Kuchelbecker claims: “the feeling with which Pushkin is overwhelmed is noticeable, although he, like his Tatyana, does not want the world to know about this feeling.”

Question about the age of the heroine

In the novel, we meet Tatyana Larina during her growing up. She is a marriageable girl.
The opinions of the researchers of the novel on the issue of the year of the girl's birth differed.

Yuri Lotman claims that Tatyana was born in 1803. In this case, in the summer of 1820, she just turned 17 years old.

However, this opinion is not the only one. There is an assumption that Tatyana was much younger. Such thoughts are prompted by the nanny's story that she was married off at the age of thirteen, as well as the mention that Tatyana, unlike most girls of her age, did not play with dolls at that time.

V.S. Babaevsky puts forward another version about Tatyana's age. He believes that the girl must be much older than the age assumed by Lotman. If the girl had been born in 1803, then the girl's mother's concern about the lack of options for her daughter's marriage would not have been so pronounced. In this case, a trip to the so-called “bride fair” would not yet be a necessity.

The appearance of Tatyana Larina

Pushkin does not go into detailed description appearance of Tatyana Larina. The author is more interested in the inner world of the heroine. We learn about Tatyana's appearance in contrast to the appearance of her sister Olga. The sister has a classic appearance - she has beautiful blond hair, a ruddy face. In contrast, Tatyana has dark hair, her face is too pale, devoid of color.

We offer you to get acquainted with the characteristics of the heroes of the poem by A. S. Pushkin "Eugene Onegin"

Her gaze is full of despondency and sadness. Tatyana was too thin. Pushkin notes, "no one could call her beautiful." Meanwhile, she was still an attractive girl, she had a special beauty.

Leisure and attitude to needlework

It was generally accepted that the female half of society free time spent doing needlework. Girls, in addition, still played with dolls or various active games (the most common was the burner).

Tatiana does not like to do any of these activities. She loves to listen to the nanny's scary stories and sit by the window for hours.

Tatyana is very superstitious: "The omens worried her." The girl also believes in fortune-telling and that dreams do not just happen, they carry certain meaning.

Tatyana is fascinated by novels - "they replaced everything for her." She likes to feel like the heroine of such stories.

However, Tatyana Larina's favorite book was not love story, and the dream book “Martyn Zadeka later became / Tanya’s Favorite”. Perhaps this is due to Tatyana's great interest in mysticism and everything supernatural. It was in this book that she could find the answer to her question: “consolations / In all sorrows she gives / And sleeps with her incessantly.”

Personality characteristic

Tatyana is not like most girls of her era. This applies to external data, and hobbies, and character. Tatyana was not a cheerful and active girl who was easily given to coquetry. "Dika, sad, silent" - this is Tatiana's classic behavior, especially in society.

Tatyana loves to indulge in dreams - she can fantasize for hours. The girl hardly understands her native language, but is in no hurry to learn it, in addition, she rarely educates herself. Tatyana prefers novels that can disturb her soul, but at the same time she cannot be called stupid, rather the opposite. The image of Tatyana is full of "perfections". This fact is sharply contrasted with the rest of the characters in the novel, who do not have such components.

In view of her age and inexperience, the girl is too trusting and naive. She trusts the impulse of emotions and feelings.

Tatyana Larina is capable of tender feelings not only in relation to Onegin. With her sister Olga, despite the striking difference of girls in temperament and perception of the world, she is connected by the most devoted feelings. In addition, a feeling of love and tenderness arises in her in relation to her nanny.

Tatyana and Onegin

New people coming to the village always arouse the interest of the permanent residents of the area. Everyone wants to get to know the visitor, learn about him - life in the village is not distinguished by a variety of events, and new people bring with them new topics for conversation and discussion.

Onegin's arrival did not go unnoticed. Vladimir Lensky, who was lucky enough to become Yevgeny's neighbor, introduces Onegin to the Larins. Eugene is very different from all the inhabitants of village life. His manner of speaking, behaving in society, his education and ability to carry on a conversation pleasantly amaze Tatiana, and not only her.

However, "early the feelings in him cooled down", Onegin "has completely cooled off to life", he was already bored beautiful girls and their attention, but Larina does not know about it.

Onegin instantly becomes the hero of Tatiana's novel. She idealizes young man, he seems to her descended from the pages of her books about love:

Tatyana loves not jokingly
And surrender unconditionally
Love like a sweet child.

Tatyana suffers for a long time in languor and decides to take a desperate step - she decides to confess to Onegin and tell him about her feelings. Tatyana is writing a letter.

The letter carries a double meaning. On the one hand, the girl expresses indignation and grief associated with the arrival of Onegin and her love. She lost the peace in which she lived before, and this leads the girl to bewilderment:

Why did you visit us
In the wilderness of a forgotten village
I would never have known you.
I would not know bitter torment.

On the other hand, the girl, having analyzed her position, sums up: the arrival of Onegin is her salvation, this is fate. By her character and temperament, Tatyana could not have become the wife of any of the local suitors. She is too alien and incomprehensible for them - Onegin is another matter, he is able to understand and accept her:

That in the supreme council is destined ...
That is the will of heaven: I am yours;
My whole life has been a pledge
Faithful goodbye to you.

However, Tatyana's hopes did not come true - Onegin does not love her, but only played with the girl's feelings. The next tragedy in the girl's life is the news of the duel between Onegin and Lensky, and the death of Vladimir. Eugene leaves.

Tatyana falls into a blues - she often comes to Onegin's estate, reads his books. Over time, the girl begins to understand that the real Onegin is fundamentally different from the Eugene she wanted to see. She just idealized the young man.

This is where her unfulfilled romance with Onegin ends.

Tatyana's dream

Unpleasant events in the girl's life, connected with the lack of mutual feelings in the subject of her love, and then death, two weeks before the wedding of the groom's sister Vladimir Lensky, were preceded by a strange dream.

Tatyana always gave dreams great importance. This same dream is doubly important for her, because it is the result of Christmas divination. Tatyana was supposed to see her future husband in a dream. The dream becomes prophetic.

At first, the girl finds herself in a snowy meadow, she approaches the stream, but the passage through it is too fragile, Larina is afraid to fall and looks around in search of an assistant. A bear appears from under a snowdrift. The girl is frightened, but when she sees that the bear is not going to attack, but, on the contrary, offers her his help, holds out her hand to him - the obstacle has been overcome. However, the bear is in no hurry to leave the girl, he follows her, which frightens Tatyana even more.

The girl tries to escape from the pursuer - she goes to the forest. The branches of the trees cling to her clothes, take off her earrings, tear off her scarf, but Tatyana, seized with fear, runs forward. Deep snow prevents her from escaping and the girl falls. At this time, a bear overtakes her, he does not attack her, but picks her up and carries her further.

A hut appears ahead. The bear says that his godfather lives here and Tatiana can warm up. Once in the hallway, Larina hears the noise of fun, but it reminds her of a wake. Strange guests are sitting at the table - monsters. The girl is disassembled both by fear and curiosity, she quietly opens the door - Onegin turns out to be the owner of the hut. He notices Tatyana and goes to her. Larina wants to run away, but she can't - the door opens and all the guests see her:

… Violent laughter
Resounded wildly; everyone's eyes,
Hooves, trunks are crooked,
Crested tails, fangs,
Mustaches, bloody tongues,
Horns and fingers of bone,
Everything points to her.
And everyone screams: mine! my!

The imperious host calms the guests - the guests disappear, and Tatyana is invited to the table. Immediately, Olga and Lensky appear in the hut, causing a storm of indignation from Onegin. Tatyana is horrified by what is happening, but does not dare to intervene. In a fit of anger, Onegin takes a knife and kills Vladimir. The dream ends, it's already morning in the yard.

Tatyana's marriage

A year later, Tatyana's mother comes to the conclusion that it is necessary to take her daughter to Moscow - Tatyana has every chance to remain virgins:
At Kharitonya in the alley
Carriage in front of the house at the gate
Has stopped. To an old aunt
The fourth year of the patient in consumption,
They have arrived now.

Aunt Alina joyfully received the guests. She herself could not get married at one time and lived alone all her life.

Here, in Moscow, Tatyana is noticed by an important, fat general. He was struck by the beauty of Larina and "meanwhile, he does not take his eyes off her."

The age of the general, as well as his exact name, Pushkin does not give in the novel. Admirer Larina Alexander Sergeevich calls General N. It is known that he took part in military events, which means that his career advancement could take place at an accelerated pace, in other words, he received the rank of general without being in old age.

Tatyana, on the other hand, does not feel a shadow of love towards this person, but nevertheless agrees to marriage.

The details of their relationship with her husband are not known - Tatyana resigned herself to her role, but she did not have a feeling of love for her husband - he was replaced by affection and a sense of duty.

Love for Onegin, despite the debunking of his idealistic image, still has not left Tatyana's heart.

Meeting with Onegin

Two years later, Eugene Onegin returns from his journey. He does not go to his village, but visits his relative in St. Petersburg. As it turned out, during these two years, changes took place in the life of his relative:

"So you're married! I didn't know before!
How long ago? - About two years. -
"On whom?" - On Larina. - "Tatyana!"

Always able to restrain himself, Onegin succumbs to excitement and feelings - he is seized by anxiety: “Is she really? But definitely… No…”

Tatyana Larina has changed a lot since their last meeting - they no longer look at her as a strange provincial:

The ladies moved closer to her;
The old women smiled at her;
The men bowed down
The girls were quieter.

Tatyana learned to behave like all secular women. She knows how to hide her emotions, is tactful towards other people, there is a certain amount of coolness in her behavior - all this causes Onegin to be surprised.

Tatyana, it seems, was not at all dumbfounded, unlike Evgeny, by their meeting:
Her eyebrow did not move;
She didn't even purse her lips.

Always so bold and lively, Onegin was at a loss for the first time and did not know how to speak to her. Tatyana, on the contrary, asked him with the most indifferent expression on her face about the trip and the date of his return.

Since then, Eugene loses peace. He realizes that he loves the girl. He comes to them every day, but feels embarrassed in front of the girl. All his thoughts are occupied only by her - in the morning he jumps out of bed and counts the hours left until their meeting.

But the meetings do not bring relief - Tatyana does not notice his feelings, she behaves with restraint, proudly, in a word, just like Onegin himself towards her two years ago. Consumed by excitement, Onegin decides to write a letter.

I notice a spark of tenderness in you,
I did not dare to believe her - he writes about the events of two years ago.
Eugene confesses his love to a woman. “I was punished,” he says, explaining his recklessness in the past.

Like Tatyana, Onegin entrusts her with the solution of the problem that has arisen:
Everything is decided: I'm in your will
And surrender to my destiny.

However, there was no answer. The first letter is followed by another and another, but they remain unanswered. Days pass - Eugene cannot lose his anxiety and confusion. He again comes to Tatyana and finds her sobbing over his letter. She was very similar to the girl he met two years ago. Excited Onegin falls at her feet, but

Tatyana is categorical - her love for Onegin has not yet faded away, but Eugene himself ruined their happiness - he neglected her when she was unknown to anyone in society, not rich and not "favored by the court." Eugene was rude to her, he played with her feelings. Now she is the wife of another man. Tatyana does not love her husband, but she will be “faithful to him for a century”, because it cannot be otherwise. Another version of the development of events contradicts life principles girls.

Tatyana Larina in the assessment of critics

Roman A.S. Pushkin "Eugene Onegin" became the subject of active research and scientific and critical activity for several generations. The image of the main character Tatyana Larina became the cause of repeated disputes and analyzes.

• Y. Lotman in his works he actively analyzed the essence and principle of writing Tatyana's letter to Onegin. He came to the conclusion that the girl, having read novels, recreated "a chain of reminiscences primarily from texts French literature».
• V.G. Belinsky, says that for Pushkin's contemporaries, the release of the third chapter of the novel was a sensation. The reason for this was a letter from Tatyana. According to the critic, Pushkin himself until that moment did not realize the power produced by the letter - he calmly read it, just like any other text.
  The writing style is a little childish, romantic - this is touching, because Tatyana had not known the feelings of love even before that “the language of passions was so new and not accessible to the morally dumb Tatyana: she would not have been able to understand or express her own feelings if she had not resorted to to help the impressions left on her.”
• D. Pisarev did not turn out to be such an inspired image of Tatyana. He believes that the girl's feelings are fake - she inspires them herself and thinks that this is the truth. While analyzing the letter to Tatyana, the critic notes that Tatyana is still aware of Onegin’s lack of interest in her person, for she puts forward the assumption that Onegin’s visits will not be regular, this state of affairs does not allow the girl to become a “virtuous mother”. “And now I, by your grace, a cruel man, must disappear,” writes Pisarev. In general, the image of a girl in his concept is not the most positive and borders on the definition of a “village”.
• F. Dostoevsky believes that Pushkin should have named his novel not by the name of Yevgeny, but by the name of Tatyana. Since it is this heroine who is the main character in the novel. In addition, the writer notes that Tatyana has a much greater mind than Eugene. She knows how to do the right thing in the right situations. Her image is noticeably different hardness. “The type is firm, standing firmly on its own soil,” Dostoevsky says about her.
• V. Nabokov notes that Tatyana Larina has become one of her favorite characters. As a result, her image has become "a 'national type' of a Russian woman." However, over time, this character was forgotten - with the beginning of the October Revolution, Tatyana Larina lost her significance. For Tatyana, according to the writer, there was another unfavorable period. During Soviet rule younger sister Olga occupied a much more advantageous position in relation to her sister.